Yes, I was refering to the change in speed.

Building a hanger for the zeppelin is proving to be a challenge, it more about making the set as large as possible while using as few bricks as possible. Set building can be pretty unfun when that is the sort of mentality you have to use. This is the biggest interior I have ever made, hopefully once it is finished it will look like an interior. It's pretty hard to make a set that has to contain a floating ship that is 17 inches tall and around 20 inches long, I don't think I'll be able to have the zeppelin in full frame in a wide shot which is disappointing but I just don't have the pieces for a larger set.

I am trying to sort of match the style of this previous set, they are part of the same complex.

The more I see of this, the more excited I get about it! Lookin' great!

As only have 2 days a week to animate I just want to build the next set and shoot. For the greater part of this movie clutter has been building up as I build the next set and only pull off bricks from the old sets as I need them. So I've ended up with a huge mess and six half built set from this film and a few half built sets from about three older project.

If I took the time after I finished each set to take it apart and put all the pieces back it would be a lot easier for me to find the pieces to make the really big sets. Most of these bins were half empty or almost completly empty when I started tare down today, there are a few more bins in another room as well. I still have half a large Rubbermade bin and two large LEGO brick buckets filled with unsorted bricks, hopefully I'll be able to sort what is left on the work space and resume animation, but I will try to work in a bit of clean up and sorting time between sets.

I also checked up on my progress on the film (I don't really keep track of it apart from how much animation I've done) and I have shot 7 out of 14 sets. Many of the unshot sets have more shots in them then the sets I have shot, however building the sets and figuring out how to light them usually takes longer then the animation for me. A few of the sets will just have some simple dialog which can take more screen time then a establishing shot while also having an easier to build set.

@Cartoonkid98
That's what I was thinking when I was animating it but it didn't quite have that dart away because they got startled look I was hoping for.

I also got 16 seconds animated today, unfortunately it is not the whole shot so I am not adding it to my total for finished animation.

This is the President of the United States in my upcoming film. This shot will be comp'ed into another shot as the President is talking to other people through a video communication device.

Amazing stuff here. I love the look of the Zepplin and your lighting is phenomenal. Looking forward to seeing more as this progresses.

HAHA! Cool! I'm really looking forward to it! I could really use some set design lessons from you!

You did that effect with luma keying?

   

Don't rush him now.