Recently, I've been doing more constructive things during my Saturday nights - but I've decided to take time off my 'hectic' schedule to marathon all the episodes I've missed so far (I know: I'm a madman)
Episode 2
If Doctor Who has devolved into 'How Not To Structure An Episode', then this is the Parrot Sketch. This episode decided to ignore actually setting stuff up beforehand, so when all the stupid stuff happened - rather than going "Oh, well remember that one bit of dialogue..." it instead doesn't say anything at the start, then when the stupid thing happens it says: "Right, these guys want the girl because that guy in make-up is actually Rolf Harris..."
Whilst I appreciate that you've finally realised your not very good at exposition, Doctor Who; just explaining as things happen isn't going to help matters. This is appalling scriptwriting, and considering how low the bar is - that's pretty bad. A story is not a guided tour...ITS A STORY! TELL IT!!
The drawn-out ending was just vomit-inducing. The nauseating whimsicalness of singing children always provokes my gag-reflex anyway - but this was the final speech from Blade Runner (even nicking direct quotes from it) as directed by Christopher Columbus. Not to mention that solving a problem though the power of song is more sickening and cliché than solving a problem though the power of love (another cliché that Stephen Moffat has chained up in his basement)
I know this is a BBC production, but the set-design sucks. Maybe its the way its lit, or the fact that this whole episode was clearly shot on a sound-stage - but it looks really fake, particularly the market. I know the old Doctor Who episodes looked awful, but recently I've been impressed with how cinematic the episodes are starting to look...until now. That shake effect just looked atrocious. It looked like they hadn't even bothered to shake the camera, but just added the effect in post. Star Trek The Next Generation looked more convincing where the ship shook and you expect camera to cut to a judging panel scoring all the prat-falls.
One last thing on this episode: I love how they shell out for a motorbike and leave the TARDIS behind. Hello? Its been established that the TARDIS can fly - why didn't you use that? Or travel ahead of the girl and block the doorway? Still - at least its obvious from the start that this motorbike can fly...
Horrid episode. I couldn't have pressed the 'Stop' button hard enough.
Episode 3
It seems as though Moffat has ran out of classic sci-fi to plagiarise, so he keeps having to steal from different genres. That, or he thinks what Doctor Who has always needed is an extended tribute to Das Boot.
But, you know - I'm actually starting to see the fun of this. I've long accepted that I don't think Doctor Who will ever be as good as it used to (which, in retrospect, was quite a low bar), so, if an episode can pull of a fan-fiction like quality of the TARDIS suddenly busting in on a very serious scene of a classic movie (like the end of 12 Angry Men) then at least its doing something other than sucking.
Wait...its a Soviet submarine? Well, I can't complain. I like 'The Girl in the Fireplace' despite the fact no-one speaks with a French accent (though I always laugh when she says "...and we are French!" as if to remind us that this is supposed to be France), and I'm honestly glad no-one whacked out a hilariously cheesy Russian accent.
OK - I kind of liked this episode. I actually cared about what was happening and I understood everything that was going on. The exposition was nicely woven into the narrative, and the pace flowed well. It reminded me of how every episode of Doctor Who used to be structured.
There were some flaws. My biggest problem with this episode is that its basically 'Dalek' only with a different classic monster and in a different enclosed environment - right down to a scene where the monster is in chains and the female companion speaks to him. Also, its kind of an Alien rip-off. In fact, if the set wasn't constantly wetting itself the submarine would look exactly like the interior of the ship in Alien.
Maybe I like this episode because I watched it right after Episode 2 - which sucked. In fact, I should do this more often. Its like if you watch Batman and Robin before Avatar, then Avatar looks like The Seventh Seal in comparison.
Episode 4
Wow. This one was OK too. Not outstanding - but again, it was paced and executed like an RTD-era episode. Its a shame that our filler episodes are way better than the key episodes.
There were some stupid things. I hate how the TARDIS is sentient. It was stupid when they turned it into a middle-aged woman (I would actually say that episode was the worst ever. Yes: worse than 'Love and Monsters') and its stupid that through a projected hologram 'she' can talk. So imagine my jubilation when I discovered that next episode is all about the TARDIS being 'alive'.
Overall: Its a shame that Clara is basically Amy Pond 2.0, since she could be interesting. It seems Moffat likes his women to always have bizarre time-and-space-related issues with them that the Doctor SHOULD be dealing with rather than dragging them through time and space (the most hilarious being when the Doctor realises that Amy has amnesia and ends the episode vowing to sort her out. Cut to the next episode where they're mincing about in Venice hunting vampires) All she needs is an annoying boyfriend who gets kidnapped/killed all the time and its like nothing ever changed.
You know, two OK episodes and a bad one really isn't a terrible scoop. I'm pleasantly surprised - I was expecting after the incredibly mediocre 1st episode that things were going to stay the same, but like 99.9999999% of everything in the world - I was wrong.
Last edited by Max Butcher (April 22, 2013 (09:49am))