Re: Works-in-Progress Post and Critique
First, a new shot and set shot...


Controlling fill light can be tricky....
That was great. How did you do the chroma key?
How did you manage to distinguish the greenscreen from the green floor and window panes
I used an AE plug in called Key Light to key the background and a rough mask on what became my foreground layer and background layer of the original shot, the mask is reversed between the fore and background layers. I'm also using a lot of nested compositions (sequences) to facilitate my effects (you cant see most of them in the pic below, i close them once I've nested them)
I think that might help explain it...
Glad you guys are liking my stuff ![]()
-Jeremy
Last edited by Mtnbiker (February 11, 2009 (01:06pm))









