Mickey wrote:Legocloniac477 wrote:Wait, what is The Dark Knight? Is that a movie? I should try to watch that.
Was that sarcasm?
Squash wrote:But... Nolan has been making widely-released films for fifteen years...
A lot of people have just now started to regard actress Emma Roberts as one of the "up-and-coming" actresses of this generations. But, she has been acting since the early 2000s. That term can be used, even if it's not true. In this case, what I meant is that we're starting to see Chris Nolan put the superhero stuff aside and make more contemporary films (even if he's got a Superman vs. Batman on the way), hence the use of the word "contemporary".
Well...I'm not really sure Nolan is an "up-and-coming" filmmaker. He definitely still has a lot ahead of him, yes, but he currently is one of the most successful directors, being in the top ten highest grossing film directors of all time. Considering the success and fame of The Dark Knight trilogy and Inception, these last couple of years could have easily been the highest peak of his career; not to say that I personally hope or think so, but it is possible.
That being said, I loved Interstellar. The entire film had an incredibly epic scope that was visually just stunning and story-wise, very unique, despite some of the complicated, somewhat strange plot points, or some of the more minor plot holes.
I think many people like to bash on Nolan for being a more straight-to-the-point storyteller, who mostly explains everything in his films, rather than one that uses metaphors or symbolism to convey messages.
And that's really dumb, because there is a clear line between films made for entertainment, and films that are made to convey messages (what I think is the major difference between 2001 and Interstellar); and Chris Nolan makes films that are, on their core, purely entertainment films, although there are many themes or messages that anybody can take from them, of which The Dark Knight is a great example. I still believe Memento (The Dark Knight following close afterwards) is personally my favorite Nolan film, because it is so brilliantly structured, unique, visually conveyed, and complicated.
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