Re: What was the last movie you watched?
What's this Star War you are speaking of?
Its funny. There are only really two wars in the course of six films (The Clone Wars, and whole Rebels vs Empire affair), and both wars are fought by a variety of humanoid races - not stars. I do find it strangethat the Rebels have various minority groups fighting the all-white-male Empire, yet the Trade Federation is literally entirely made of minority groups. (Yay! I've just invented another reason to hate the prequels...not that it needs any more...)
Then again, I could harp on non-stop about everyone in the Empire being English, and how Hollywood thinks that the English are the most evil people in the world. I still joke that if I'd carried on acting, I would have eventually ended up typecast as a cloaked villan in a crappy summer blockbuster.
Pulp Fiction
Quentin Tarantino is not very good at plotting. Aside from a rather genius sequence towards the climax, Jackie Brown was criminally forgettable, and by far Tarantino's worst. Kill Bill Vol.2 felt like a middle-chapter to a trilogy that never happened. Inglorious !@#$%^&* suffered from a scattered pace which hindered its occasional moments of excellence, and Django Unchained was like There Will Be Blood in that the buildup was at times excruciatingly slow, but the payoff is incredible (the "I drink your milkshake" scene becomes even more awesome if you sit through the entire film) Also, I haven't seen Death Proof, but I haven't heard great things about that films plotting either.
Pulp Fiction's plot itself is pretty poor. The film would have suffered greatly if it was a linear narrative, as the whole thing lacks depth. Everyone's motivation is one-dimensional, and Tarantino does not use the language of film to breathe any real insight.
But - Quentin Tarantino is AMAZING at dialogue, and Pulp Fiction is by far his best film because he goes mad with his dialogue skills and it is glorious. Whilst I still like Inglorious !@#$%^&* and Django Unchained because they both have a similar "we have a massive budget and a ton of great actors - lets go crazy" tone - both those films cannot hope to have this amount of memorable characters and this many quotable lines.
I've always defined an auteur not as an artist but as a person whose art would be awful if it was made by anyone else. I can't imagine anyone other than Tarantino making this, because the film would have sucked if someone like Nolan and his super-serious-dull-as-hell characters tried this.
Last edited by Max Butcher (February 23, 2014 (11:25am))
Max, She/Her




