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Bricks in Motion
We are a friendly filmmaking community devoted to the art of stop-motion animation using LEGO® and similar construction toys. Here, you can share your work, join our community of other brickfilmers, and participate in periodic animation contests!
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Birdemic: Shock and Terror
Ladies and Gentlemen, I have some great news. Our board of directors has agreed to the acquisition of MCT Software by Oracle Corporation... FOR A BILLION DOLLARS!
Birdemic: Shock and Terror
Ladies and Gentlemen, I have some great news. Our board of directors has agreed to the acquisition of MCT Software by Oracle Corporation... FOR A BILLION DOLLARS!
Haha, I'm guessing you only wacthed it to see how terrible it was ?
RealBrick wrote:And if it has something to do with the blue headed minifigure, than I have another guess, and it is not a brickfilm.
I spent ages making that Na'vi emote.
We know, be proud of it. It's beautiful. ![]()
2001: A Space Oddessy
Um.....I am ashamed to admit that I have not have watched anything by Kubrick before. As a future Film Studies Student, this is something I need to change ASAP, particularly after watching this.
I have never seen anything like this. It blew my mind. The unique visuals, the blend of classical music with futuristic imagery, the atmosphere created by lack of music whilst exploring space.....I really want to watch the special features to see how all this was created.
My only complaint is that the cutting between Part 2 and 3 is very abrupt. I know your not supposed to see what happens to the people looking at the black slab, but I really wanted to. When there was so much development in one storyline and then it suddenly ends when its just began....I was kinda annoyed.
And.....what was up with the ending? I never got what the black slab was. I know your not supposed to know....but what on earth happened? And why does he age into an old man.....then turn into a foetus? Why did he turn into a foetus? Why is he in space? Why has the movie just ended? Who am I? What am I doing here? Why do I keep asking questions?
Maybe the commentary by Kubrick will explain more. Despite my nitpicks, its incredible. Now if you'll excuse me, I'm off to pop in Disc 2...
-MRB
And.....what was up with the ending? I never got what the black slab was. I know your not supposed to know....but what on earth happened? And why does he age into an old man.....then turn into a foetus? Why did he turn into a foetus? Why is he in space? Why has the movie just ended? Who am I? What am I doing here? Why do I keep asking questions?
The monolith (black slabs) are visual metaphors for progression and evolution. Every time one appears, mankind makes some large leap forward in technology or (in the case of the ending), their own evolution. The apes observed the monolith, then they discovered bone tools. The humans observed the monolith on the moon, months later, they develop the HAL 9000. Dave observes the monolith near Jupiter, and enters the Star Gate. He sees the monolith again in the bedroom, and becomes the Star Child (a representation of humanity evolving beyond itself).
The ending is really very ambiguous, but from what is obvious, Dave is watching himself age progressively in a matter of moments (we assume), symbolizing his own evolution and progression (eventually culminating in his rebirth as the Star Child). It's been hypothesized that some extraterrestrial life exists beyond the capacity for humans to observe, that they themselves scattered the monoliths across the galaxy, and they were behind Dave entering the Star Gate and ending up in the Louis XVI-style room, possibly symbolic of Dave progressing beyond his human origins and taking on a new evolutionary form.
The book was better.
I love 2001!
Anyways, movie time:
Boogie Nights
Loved it.
Scream 2
Pretty enjoyable.
Piranha (1978)
Liked it, nice effects and stuff.
"WHAT ABOUT THE F*%^$#@ PIRANHA'S!?!"
"Uh sir, they are eating the guests."
My favorite line.
Last edited by KinzCove (August 26, 2010 (03:23pm))
E.T.
Awesome film.
Nutty Professor
... What?
I loved the part when Eddie Murphy was playing all the family members at the table. Hilarious.
-JK
Night Owl wrote:Birdemic: Shock and Terror
Ladies and Gentlemen, I have some great news. Our board of directors has agreed to the acquisition of MCT Software by Oracle Corporation... FOR A BILLION DOLLARS!
Haha, I'm guessing you only wacthed it to see how terrible it was ?
I love it; I haven't laughed that hard at a movie since The Room.
Max Butcher wrote:And.....what was up with the ending? I never got what the black slab was. I know your not supposed to know....but what on earth happened? And why does he age into an old man.....then turn into a foetus? Why did he turn into a foetus? Why is he in space? Why has the movie just ended? Who am I? What am I doing here? Why do I keep asking questions?
Spoiler (click to read)
The ending is really very ambiguous, but from what is obvious, Dave is watching himself age progressively in a matter of moments (we assume), symbolizing his own evolution and progression (eventually culminating in his rebirth as the Star Child). It's been hypothesized that some extraterrestrial life exists beyond the capacity for humans to observe, that they themselves scattered the monoliths across the galaxy, and they were behind Dave entering the Star Gate and ending up in the Louis XVI-style room, possibly symbolic of Dave progressing beyond his human origins and taking on a new evolutionary form.
First of all, I think ambiguous endings aren't necessarily there to be figured out. It just treats a movie like an episode of Lost, having no higher purpose than analysis by a bunch of fanboys with their greasy thumbs on the pause button.
However, one detail I've always liked is the fact that the room Dave finds himself in is in the style of Louis XVI, as it implies that, due to the time periods necessary for space travel, the last time the aliens were on Earth was several hundred years ago.
I need to see 2001 again... damn that movie is visually stunning and boring at the same time
I will admit that at times my concentration did falter a bit. The best example being the space transport arriving on the moon. At first I found this sequence visually amazing, but it did go on a little bit too long. Maybe it was because the film was trying to fit with the music rather than the music trying to fit the film - but I would have cut it down a little bit.
Spoiler (click to read)
The monolith (black slabs) are visual metaphors for progression and evolution. Every time one appears, mankind makes some large leap forward in technology or (in the case of the ending), their own evolution. The apes observed the monolith, then they discovered bone tools. The humans observed the monolith on the moon, months later, they develop the HAL 9000. Dave observes the monolith near Jupiter, and enters the Star Gate. He sees the monolith again in the bedroom, and becomes the Star Child (a representation of humanity evolving beyond itself).
Aha! Yes, I see now. I suppose my confusion can be blamed on this being my first Kubrick movie or even my first movie with any ambiguity (although I'm sure there are more less-as-well-known movies that are even more ambiguous). I guess I have a lot to learn before I can enter the world of filmmaking. To be honest, watching 2001 has made me feel like a n00b. I feel no taller than this full stop.
So I proceeded with my recently bought collection 'classic' films:
Brazil
My mind has been blown once again.
It follows the story of a man who is in a boring and really cruel world, and who attempts to escape this through a fantasy world that begins to blend with his reality. It sounds like a cliché, but the way it is told is not. The world the film is set is hard to describe. Its like the future, but if the future was created with the technology of the 50's. Its physically impossible, but it creates a unique and surreal environment. Computers are tiny 1950's television screens with typewriters for keyboards, and...I....just watch the movie, its too hard to put into words.
The setting isn't exactly the future either. The only firm fact we are given is that it is set in the late 20th Century. Since the movie was made in 1985, it could be that this is merely a satire of the current world. And it does show. The whole world is stretched and exaggerated, and is ugly and unwelcoming.
But balanced with it is perfect Dark-Humour that only Python Terry Gilliam can pull off (this also explains Michael Palin's involvement). In fact, this movie looks like a live action version of his Flying Circus animations only much more dark. Yet despite the movie being dark and at points depressing, the movie never seems to take itself too seriously. Its not trying to be a cult classic (unlike films such as 'Avatar' and the Star Wars Prequels which try way too hard to be masterpieces yet skip trying to make their movie good) yet everything is there to make it justifiably so.
And.....by heaven it is justified.
Go out and buy it. I'm serious. Buy it immediately. Buy it right now. Go and create a new tab and search for it. Its like, £4 on Amazon, and its worth every penny. Even if you have to slave away for the money, if you have to beg your parents, if you have to roam the streets searching for loose change to afford this movie, it is worth it.
-MRB
Last edited by Max Butcher (August 27, 2010 (10:05am))
If you buy Brazil you should really get the Criterion Collections version, it's the release that is approved by Terry Gilliam.
Dead Poets Society
...
What the hell is so great about this? I really didn't like it. I couldn't relate to/didn't like any of te characters, they were all a bunch of ignorant delightful rich boys and
than one of them commits suicide ;'(;'( no
I also noticed Night Owl's avatar hanging on the wall.
Last edited by Pillow (August 27, 2010 (11:49am))
I liked that movie, and, you spoiled the end of the movie, please use the spoiler BBCode.
Btw.
Close Encounters of the third kind
"El sol saliò a noche...y me canto" - I'd give it 5/5 stars just for that line. Second time I watch it. Great movie by Spielberg.
4/5
Just watched The Apartment last night. (5/5)
Easily one of Billy Wilder's best films, IMO.
I'll be writing on it in more detail soon, so I won't expound here.
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