Sonny, the Wilhelm Scream is serious business. You can't just lightly go and use it wherever you feel like; the Wilhelm Scream is art, and you can't stick art anywhere. Sticking art somewhere is an art all in and of its self, but that's besides the point, which is the Wilhelm scream was brought to you by a man who was extremely terrified for his life, when there happened to be a mic nearby. And you know what, Sonny? That man died to bring you that scream. He died after a insignificant ounce of metal slammed into his heart at hundreds of miles per hour, propelling him off his horse, and subsequently, off a cliff; this scream should only be used in moments that feel just like that, like the character is in extreme danger of an object approaching him at great speeds, or a fall from a great hight; never in non-dangerous moments where the user is screaming for trivial reasons. It is more-so painful that the character is in fact using the Wilhelm Scream after his girfriend suggests that they go see that pillar of greatness in the art of brickfilming, The Citizen of the Year, in a way that suggests that he is appalled by the prospect of seeing such a film. I wonder how you sleep at night. You have just scarred two of the most important things in brickfilming- nay, film history as casually as if you were swatting at a pesky fly. I hope you take a moment to think about what you have just done, my lad.