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		<title><![CDATA[Forums - Bricks in Motion - Holding Our Own episode 2 production log- UPDATE]]></title>
		<link>https://bricksinmotion.com/forums/topic/16271/holding-our-own-episode-2-production-log-update/</link>
		<description><![CDATA[The most recent posts in Holding Our Own episode 2 production log- UPDATE.]]></description>
		<lastBuildDate>Thu, 18 Apr 2013 15:37:28 +0000</lastBuildDate>
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			<title><![CDATA[Re: Holding Our Own episode 2 production log- UPDATE]]></title>
			<link>https://bricksinmotion.com/forums/post/300420/#p300420</link>
			<description><![CDATA[As I posted int he releases section, segment 2b is watchable, but has a panning problem: a 1-minute or so slow zoom.  I'll be posting a corrected version, but not until some more urgent matters are taken care of.  THe entire episode is now available as a playlist:

[url]http://www.youtube.com/watch?v=kfrbTxeTghc&list=PL_uDhV8vOrTXCmXbwzM9QblwsrUTGtLnv[/url]]]></description>
			<author><![CDATA[dummy@example.com (HoldingOurOwn)]]></author>
			<pubDate>Thu, 18 Apr 2013 15:37:28 +0000</pubDate>
			<guid>https://bricksinmotion.com/forums/post/300420/#p300420</guid>
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			<title><![CDATA[Re: Holding Our Own episode 2 production log- UPDATE]]></title>
			<link>https://bricksinmotion.com/forums/post/300043/#p300043</link>
			<description><![CDATA[Segment 3 was posted yesterday.  It can be seen at [url]http://www.youtube.com/watch?v=jT7XkzHJkCc[/url]
-
Also, I began recording the voice work for Brent and an announcer for episode 3.  I've made a few casting choices for supporting characters in episode 3 that excite me, and I will be reviewing auditions for characters in the casting call soon.  Eric Kutepow (Voice of Mark Manchester) has a casting recommendation for me as well; he says he knows someone with a distinctive voice that I should hear.  I'm also feverishly at work on the cover art for the episode 2 DVD.  So there's always something keeping me busy.

One more thing; a friend of mine requested that I post one of his favorite Tinnitis songs, Cell Phone, on the Net.  If you care, you can hear it on youtube.  It's kind of a Gary Numan meets Kraftwerk song.

[url]http://www.youtube.com/watch?v=c-8brS-Ag7c[/url]

While you're at it, if you haven't heard my first smooth jazz song, here's a link to "Natalie Portman Fever"

[url]http://www.youtube.com/watch?v=4higMlVG47k&list=UURugeWWgdljvTfNcOjW1TTg&index=3[/url]]]></description>
			<author><![CDATA[dummy@example.com (HoldingOurOwn)]]></author>
			<pubDate>Tue, 09 Apr 2013 13:23:02 +0000</pubDate>
			<guid>https://bricksinmotion.com/forums/post/300043/#p300043</guid>
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			<title><![CDATA[Re: Holding Our Own episode 2 production log- UPDATE]]></title>
			<link>https://bricksinmotion.com/forums/post/299767/#p299767</link>
			<description><![CDATA[It's cool that this worked out.  I feel strongly on education because I once had a college sociology professor who not only was very one-sided in her lectures, but she was bigoted, very hostile toward Catholics.  I also had a sixth-grade teacher that made the class write poetry mocking President Reagan, and we accepted the assignment and never realized that we could question it because we were the students.  All woefully inappropriate, and pretty disgraceful.  And I didn't mean "children" in a pejorotive sense; I just meant that students generally trust what teachers say, because they're teachers.  That gives them a responsibility to not pass off opinions as facts.  I'm glad that Fabrice is not exactly like your teacher.  It's important, when basing characters off real life, to make them NOT the same guy, because then a lot of awkward issues can arise.]]></description>
			<author><![CDATA[dummy@example.com (HoldingOurOwn)]]></author>
			<pubDate>Fri, 05 Apr 2013 13:31:34 +0000</pubDate>
			<guid>https://bricksinmotion.com/forums/post/299767/#p299767</guid>
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			<title><![CDATA[Re: Holding Our Own episode 2 production log- UPDATE]]></title>
			<link>https://bricksinmotion.com/forums/post/299669/#p299669</link>
			<description><![CDATA[Definitely. Remember that Fabrice the character is not inherently a teacher and therefore his opinions are more brazenly displayed. It's not like my teacher went around preaching politics. I'm sorry for misunderstanding!]]></description>
			<author><![CDATA[dummy@example.com (topit)]]></author>
			<pubDate>Thu, 04 Apr 2013 18:11:49 +0000</pubDate>
			<guid>https://bricksinmotion.com/forums/post/299669/#p299669</guid>
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			<title><![CDATA[Re: Holding Our Own episode 2 production log- UPDATE]]></title>
			<link>https://bricksinmotion.com/forums/post/299641/#p299641</link>
			<description><![CDATA[I want to state this publicly just to clarify a misunderstanding.  I didn't mean that his lifestyle or looks should disqualify him from teaching, nor do I disrespect people for their opinions.  I read his test lines, though, and while his beliefs are his own in his private life, political posturing belongs outside the classroom as much as it does in the BiM forum.  That is all I meant.  I hope we are reconciled.  :>]]></description>
			<author><![CDATA[dummy@example.com (HoldingOurOwn)]]></author>
			<pubDate>Thu, 04 Apr 2013 13:20:28 +0000</pubDate>
			<guid>https://bricksinmotion.com/forums/post/299641/#p299641</guid>
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			<title><![CDATA[Re: Holding Our Own episode 2 production log- UPDATE]]></title>
			<link>https://bricksinmotion.com/forums/post/299622/#p299622</link>
			<description><![CDATA[:twitch: 
I'm a bit offended, Micheal! "That guy" was one of the best teachers I ever had, and the fact that he bikes to work and wears dreadlocks should not be a reason for alarm. In fact, I really admire him and his way of life. Even if you don't agree with his politics I would be fine with letting you voice act, but I won't let someone act if they don't respect the person behind the character!
Now, the community forum and the War Room were closed for a reason, and that reason was to keep flame wars from starting, so I'm going to cut off this discussion before it even starts. But if you feel the need to say something on this subject, feel free to shoot me a PM and we can discuss it privately.

Besides, we weren't "children." I was in eighth grade.]]></description>
			<author><![CDATA[dummy@example.com (topit)]]></author>
			<pubDate>Thu, 04 Apr 2013 03:28:34 +0000</pubDate>
			<guid>https://bricksinmotion.com/forums/post/299622/#p299622</guid>
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			<title><![CDATA[Re: Holding Our Own episode 2 production log- UPDATE]]></title>
			<link>https://bricksinmotion.com/forums/post/299591/#p299591</link>
			<description><![CDATA[Scary that that guy was teaching children!]]></description>
			<author><![CDATA[dummy@example.com (HoldingOurOwn)]]></author>
			<pubDate>Tue, 02 Apr 2013 13:37:17 +0000</pubDate>
			<guid>https://bricksinmotion.com/forums/post/299591/#p299591</guid>
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			<title><![CDATA[Re: Holding Our Own episode 2 production log- UPDATE]]></title>
			<link>https://bricksinmotion.com/forums/post/299520/#p299520</link>
			<description><![CDATA[Well, that was the thread that I posted the link in. Sorry about that lol 
[quote=in the other thread i]Lol I'll keep you in mind when I start doing the casting calls
Most of the characters are based off people I know, so I was going to get them to voice act for most of the characters, but Fabrice is just based off my US history teacher a few years ago and he'd probably be too busy to voice act. So yeah you could definitely audition. 
Also yeah, I've started drafting the characters' relationships, just haven't added them to my spreadsheet (because I wouldn't know how lol.) Like Ginger and Oleg, easily the grumpiest characters, were dating each other for a signifigant amount of time but nobody knew this because Oleg and Ginger were grumpy towards each other even while they were dating. And stuff like obviously Rosemary and Sven are both really chill and Sven's friends with everybody but Rosemary kind of has a love/hate friendship with Collette because they are like complete opposites personality-wise but they are both accomplished artists. I dunno.[/quote]]]></description>
			<author><![CDATA[dummy@example.com (topit)]]></author>
			<pubDate>Mon, 01 Apr 2013 22:24:12 +0000</pubDate>
			<guid>https://bricksinmotion.com/forums/post/299520/#p299520</guid>
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			<title><![CDATA[Re: Holding Our Own episode 2 production log- UPDATE]]></title>
			<link>https://bricksinmotion.com/forums/post/299491/#p299491</link>
			<description><![CDATA[Thanks, Pritchard.  Boy, that was weird of me!]]></description>
			<author><![CDATA[dummy@example.com (HoldingOurOwn)]]></author>
			<pubDate>Mon, 01 Apr 2013 20:08:26 +0000</pubDate>
			<guid>https://bricksinmotion.com/forums/post/299491/#p299491</guid>
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			<title><![CDATA[Re: Holding Our Own episode 2 production log- UPDATE]]></title>
			<link>https://bricksinmotion.com/forums/post/299462/#p299462</link>
			<description><![CDATA[Um, Holding, it went through, [url=http://www.bricksinmotion.com/forums/post/299458/#p299458]just on the wrong thread.[/url] ;)]]></description>
			<author><![CDATA[dummy@example.com (Pritchard Studios)]]></author>
			<pubDate>Mon, 01 Apr 2013 13:48:35 +0000</pubDate>
			<guid>https://bricksinmotion.com/forums/post/299462/#p299462</guid>
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			<title><![CDATA[Re: Holding Our Own episode 2 production log- UPDATE]]></title>
			<link>https://bricksinmotion.com/forums/post/299460/#p299460</link>
			<description><![CDATA[I just wrote a response, but BiM didn't process it and it's gone!  I was saying that I FINALLY got to read your character chart and it is very funny and well thought out.  I also would like to portray Fabrice.  He's so unlike me that I think I can bring the irony out.  I really love your idea, and from what I read, it has the potential to be a zany, irreverent, satirical series.  I love that!

Another important thing with characters is not just their bios, but their relationships.  I know I typed this up here already, so if you see it elsewhere, LET ME KNOW SO I CAN DELETE IT!  MElissa in Holding Our Own has six friends (in the Melissa PAC post at [url]http://holding-our-own.tumblr.com[/url] ) Her best friend Chay and fifth-best friend Kikka are an important pair; Kikka interpets Chay's slang to adults.  Chay is Melissa's BFF and Kikka sometimes has unexpressed jealousy because she wants Chay's attention (the BFF experience).  This provides underlying movites for some of her actions, but it doesn't have to be explicit; it can just be part of your private resources/records.]]></description>
			<author><![CDATA[dummy@example.com (HoldingOurOwn)]]></author>
			<pubDate>Mon, 01 Apr 2013 13:43:34 +0000</pubDate>
			<guid>https://bricksinmotion.com/forums/post/299460/#p299460</guid>
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			<title><![CDATA[Re: Holding Our Own episode 2 production log- UPDATE]]></title>
			<link>https://bricksinmotion.com/forums/post/299214/#p299214</link>
			<description><![CDATA[Oh 
My
Gawsh! 
Thanks so much for all this valuable information! This is a total gold mine of advice that I think you should definitely submit to the "resources" section of BiM-- as I believe many here (including me) could definitely benifit a lot from this. Thanks so much! 
Btw right now my idea for series title is "Vagabond." I want something pretentious and artsy to kind of mock hipster arrogance. I also had this idea for an episode: the characters hear some AWFUL music in a cafe, but they suppose that because nobody knows about it yet it's got to be cool. So they go to a concert by the awful band, and turns out ITS NOT A REAL BAND. It's a cover being used by a group of like cultists or whatever. They made the music as awful as possible to ensure nobody besides members of the cult. But they didn't really count on hipsters actually liking the music. Now, I'm not really sure what will happen after that, but it will be really silly (the cultists try to eat the hipsters.)
Again, thank you so much! :3]]></description>
			<author><![CDATA[dummy@example.com (topit)]]></author>
			<pubDate>Sat, 30 Mar 2013 21:26:30 +0000</pubDate>
			<guid>https://bricksinmotion.com/forums/post/299214/#p299214</guid>
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			<title><![CDATA[Re: Holding Our Own episode 2 production log- UPDATE]]></title>
			<link>https://bricksinmotion.com/forums/post/299203/#p299203</link>
			<description><![CDATA[[quote=topitmunkeydog]Heyy Michael, I was wondering if you could give me some advice on making this kind of series. Like sort of a sitcom thing. 
So I live in a sort of hipster city and I am thinking about writing a series on hipsters. If you've ever seen Portlandia my idea is similar to that, except instead of skits I have a continuous story arc and recurring characters. I have a list of characters I've drafted [url=http://www.bricksinmotion.com/forums/post/290405/#p290405]here[/url]
So I was wondering if you think this is a good idea... Like are all my characters strong and are there too many of them? And should I choose the plot to focus on one specific character? My series won't be as faithful to the sitcom genre as yours... well actually mine isn't really going to be a sitcom at all because there is more absurd comedy and satire rather than like situational comedy. But still, advice, if you have any, would be greatly appreciated. 
Thank you so much! :3[/quote]

Oh!  I just figured out!  Portlandia isn't a brickfilm of yours.  It's a real series.  And now I have time to write, 

so I will.

I cant help much on technical aspects, as most people are smarter than me and more experienced in that area.  When 

it comes to animating, I wrote a file called "What I've learned" which I add to whenever I discover something tha 
works (or fails epicly.)  It should be somewhere in the PRODUCTION THREAD.  NOw when it comes to writing a comedy 
series, I can help there.  Here I'll write my thoughts

1) Comedy is serious business.  Watching THE POSIDEON ADVENTURE with my sister in law, she says, "What's Leslie 
Neilson doing in this movie?  How can he play a serious role?"  Aside from him being a Shakespearian actor, watch 
Neilson's delivery in any of th eNaked Gun movies.  He's dead serious all the time.  In comedy, the characters are 
dead serous about the situations around them.

2) Keep it clean.  That Angus kid from 2 1/2 Men is right: his show is garbage.  Today a comey series can't be made 
wihtout pervasive sexual themes.  That's fine for an occassional show, but for so many it's a substitute for humor.  
 Actual humor requires much more thought.  Viewers are starved for family friendly content, or something with 
supposed shock value in a world where nothing is shocking.  That doesn't mean that you can't write about mature 
themes.  But just put a little effort into the quality of the content without dumbinb it down, and 1) the audence 
will appreciate it, and 2) you will have something better than half of what's considered TV entertainment.  Yeah.  
I'm not a braggart, but I have little respect for TV today.  (CASE STUDIES: Comedy- 2 1/2 Men; Drama- The Book of Daniel, Gossip Girl)

3) I'm assuming that you are writing a pack comedy.  This is a popular subgenre today.  a Pack comedy revolves 
around a "pack" of friends, usually single, and their misadventures.  (CASE STUDY: How I Met Your Mother.)  Pack 
comedies aren't too much diferent from domestic comedies (HOlding Our Own is a domestic comedy).  The main 
difference is that in a domestic comedy the story usually revolves around parenting issues, but in the pack comedy, 
the friends' reltionships are built or strained around conflicts between the main characters.  You have to develop 
situations where a character's principles are challenged by teh friendship.  A common example: a charactere swears 
to keep a secret about another friend.  The friend is harmed unless he tells the secret to him.  The character is 
ptted between telling the secret and betraying the trust, or keeping the secret and allowing the friend to get hurt. 
 Usually the secret is told, and the episode is spent with the main character rying to cover up the fact that he 
told the secret.  There are endless situatons that can arise rom the pack comedy, but the next tip is IMPORTANT, 
maybe the most helpful I can give.

4) When developing a plot twist or a character trait, NEVER EVER settle on the first idea for it that you thought.  
The first idea is a cliche you saw somewhere else.  The second idea is probably a cliche too.  Think harder to find 
a deeper reason a character can act or react.  Not only will the idea be more original, it will make the character 
more realistic.

5) When you form your core cast, think about the relatinships they have with each other.

6) Before giving your characters their first adventure, take time to thnk about the setting.  When I created 
"Holding Our Own", I figured on a whim that it would be a good idea to make the family, which I had already 
developed a bit, German.  The reasoning was that they are usually unfairly maligned as a race because of Hitler & 
the Nazis and the whole country supprting him.  So every German that comes after are evil intolerant white guys, and 
they'd always have to cotend with that stereotype.  After that, I decided that the who area could have been settled 
by German immigrants.  Hence the Schneider family name and the town of Bremen.  Now this gave me a whole identity 
for the entire community.  The names are mostly decidedly and even ethnically German: Brent, Hector Bing, Maxmillian 
Rolfe (Ep 2 segment 2), Keith Ackner, and the names of various other characters are all German.  Melissa was named 
before the decision.  Angie was named not after my wife, but Angela Merkel, prime minister of Germany.  NOw I knew 
that Angie's gun should be German, or Austrian.  Even very subtle jokes at the very beginning of episode 1 hint 
early on at their ethnicity (words like Doppelganer and entropy, two German ideas).  To break up the homogeneous 
culture, I have some British characters too (Mark Manchester is the most notable example).  Assigning a character to 
an enthicity gives an instant cultural backdrop to a character, and may contribute to their decisions and behavior.  
(CASE STUDY: EVERYBODY LOVES RAYMOND)

7) Make your antagonists sympathetic.  I love "All In The Family".  The main character wasn't supposed to be the 
series father, Archie Bunker.  It was supposed to be Gloria, the daughter.  (I think of "Holding Our Own" as a 
modern inversin of "All In the Fmaily".  Gloria = Melissa).  Anyway, the show was designed to dispel stereotypes and 
point out the absurdity of not repsecting people's differences.  Archie Bunker's role was the bigot.  But as the 
series played out, people realized that Archie Bunker was the stereotype of the "regular white guy" from the WWII 
generation and really painted him as a cardbard cliche.  This was the very opposite of the message the series was 
trying to portray.  Moreover, Archie becme such an obvious cliche that viewers actually tuned in just to hear what 
outlandish thing he uld say next.  The show was wildly popular, extremely funny, taught morals, but backfired in its 
objective.  Johnny Strange is the anatagonist in "Holding Our Own" (In the All In the Family parallel, he = Michael 
"Meathead" Stivic.) 

People disagree with ech other on issues.  But you're being unrealistic if someone is a bad person just because they 
have a different politicial point of view.  I hate Happy Feet.  I hate Avatar(ted).  I hate the motion picture 
corruption of The Lorax.  I hate the 2011 Muppets movie.  They all turn the antagonist into a stereotype, and a 
one-dimensional one at that.  Even in the Muppets, throughout the movie e bad guy is named "An Evil Oil Tycoon", 
almost as if it's his name.  You can't gt more obnoxious than that: oil tycoon = evil.  People start to apply these 
labels to people in real life.  No one wants to sit in a theatre to relax after working all week and get preached 
to.  In Holding Our own, the parents' poilitical leanings are much closer to my own, and Johnny is far from it.  
Johnny is intelectually equal to Brent, probably considerably smarter.  He's sharp-witted, funny, and often zings 
his verbal opponents.  Brent often falters.  In fact, all the characters wind up on equal footing; Each character 
has a brilliant shining monent and a foolish moment.  Even a drug dealer or Planned Parenthood employee has a reason 
they got to poisoning kids minds or killing babies for profit.  They didnt' just start out evil.  Real life people 
aren't just plain evil because they see things differentl.  They just got lost and maybe want to find a way out.  I 
mentined preachy environmental themed films.  In contrast, JETSONS: THE MOVIE (1989) depicts Mr Spaceley as someone 
not evil, but starting out well-intentioned but blinded by a company milestone.  It gives a message, but doesn't 
vilify the antagonist.  ANECDOTE: HOlding Our Own Episode 1 hd a theme about veganism, with the moral that it's 
natural to eat meat.  MY friend, Mike, loved the cartoon so uch he wanted to be in one.  He's the voice of Hector 
Bing.  He is a strict vegan on principle.  Episode 1: Vegan-Approved!

8) When writing the script, dont' write it as if it's set in stone.  Go back after writing and rewrite parts of it 
keeping in mind two questions: 1) How can this be mae funnier?  and 2) How can a character say or do this that is 
more in line with this character's personality?  Focusing on question 2: In "Everybody Loves Raymond" and "How I Met 
YOur Mother", Marie Barone and Lily, respectively, always have an underlying movite of manupilating the characters 
closest to them.  SO when you see them doing anything, you automatically think they're up to something below the 
surface.  Like tip 7, they are not doing this because they ar malicious, but because they don't like the way change 
can upset the consistancy in their relationship among their group, and do they things they do out of fear of losing 
the attachments to those they love most.

9) If you make long episodes, it may seem arduous, but there is a blessing to it:  While you are working with the 
characters, it gives you a lot of time to think about the characters, their personality, and the setting.

10) This is VERY important: Keep extensive and detailed notes about everything.  Write character bios for private 
reference.  Write story ideas and jokes that you intend to use in future episodes, so you don't forget.  Give each 
character goals, character-based barriers to the goals, and separate goals for each character that converge (Case 
study: SEINFELD).  Do extensive research on writing.  Here are some (but not all) topics I've researched for the 
first 4 episodes of Holding Our Own:

German naming
Luger pistols
Text speech
culture in 2009
80s slang
Geography

I also have a lot of trivial knowledge that I use in the series to make it more realistic.  The facts in the first 
four scripts of Holding Our Own are true about the following topics:

"Weird Al"
John Holdren
Barbie
all the 80s artists in episode 2
Mystery Date (board game)
2009 Homeland security document mentioned by Mark Manchester in episode 4.

I can share some of my materials with you.  Id helps keep the characters consistant.


10) Writing parody: Find something hypocritical about a topic and exploit the double standard by making the 
characters obivious to the hypocrisy.  An example from the ending to Holding Our Own: Episode 1.

MELISSA
If there's one thing I hate, it's the inhumanity of personkind.  (pause.)  Hey, why are we eating out here?

ANGELA
It's a special night for your father.

BRENT SCHNEIDER
Yeah.  There's a 24 marathon that just started: 24 hours in 24 hours.

MELISSA
All right!  I can't wait to see Jack Bauer torture some terrorists!

I like the fact that you're doing satir involving a town of hipsters.  Lots of potential for funny situations.  I 
will look forward to your finished product!  HipsterNation (tentative title idea?!)

11) Consider freezing your characters in time like I did.  Some shows have unrealistic aging (CASE STUDIES: 
Simpsons, King of the hill, or in reverse, Last Man Standing/ Family Ties, Superman movies).  children dont age 
properly.  Soaps are the worst; newborn babies are in high school in a year!  The drawback is that you have to 
freeze the technology and societal evolution at that point.  But it's fun to do so!

12) Most important rule: have a reason for taking the time to do this.  And it can't be to get 100 million youtube 
views.  You have to have something you're passionate about that you want to convey through the entertainment medium. 
 In "Holding Our Own", brent quotes the Bible or constitution while debating in every episode.  For public school 
students with two parents working full time to support them, this may be the only time they get to hear these 
important documents.  This does not conflict with tip 7.  Tip 7's not about not having a message.  It's about not 
being one-dimensional, unrealistic or preachy about your message so you lose half your audience in disgust.  Having 
a purpose also gives yor character short and long term goals and help you develop the character-based obstacles to 
those goals.

I learned all this from nothing, just out of 1 year from brickfilming, but I hope this can help you out.  I can 
answer any qs privaely, and I can let you look at some of the reference materials I'vebeen keeping to get an idea on how to organize thoughts/plots/ etc.  Let me know if this helps.  Also, watch the sitcoms you like and see what 
makes them funny!

I havn't checked yr char list today, as I'm working offline as I type, but will now!!!!!]]></description>
			<author><![CDATA[dummy@example.com (HoldingOurOwn)]]></author>
			<pubDate>Sat, 30 Mar 2013 19:32:25 +0000</pubDate>
			<guid>https://bricksinmotion.com/forums/post/299203/#p299203</guid>
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			<title><![CDATA[Re: Holding Our Own episode 2 production log- UPDATE]]></title>
			<link>https://bricksinmotion.com/forums/post/299200/#p299200</link>
			<description><![CDATA[Animation of episode 2 is complete... just a little audio editing & touch up work.  Shooting still for Mon to post segment 2 of 4; may take until Tues!]]></description>
			<author><![CDATA[dummy@example.com (HoldingOurOwn)]]></author>
			<pubDate>Sat, 30 Mar 2013 19:24:54 +0000</pubDate>
			<guid>https://bricksinmotion.com/forums/post/299200/#p299200</guid>
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			<title><![CDATA[Re: Holding Our Own episode 2 production log- UPDATE]]></title>
			<link>https://bricksinmotion.com/forums/post/299174/#p299174</link>
			<description><![CDATA[Well, let me get a chance to watch Portlandia and I'll reply to you on that.]]></description>
			<author><![CDATA[dummy@example.com (HoldingOurOwn)]]></author>
			<pubDate>Sat, 30 Mar 2013 13:48:13 +0000</pubDate>
			<guid>https://bricksinmotion.com/forums/post/299174/#p299174</guid>
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